By Katie Mettler The Washington Post With hopes of dispensing the “perfect antidote” to the stock market crash of 1987, Italian-born sculptor Arturo Di Modica spent two years welding a 7,000 pound bronze bull statue designed to capture the resilience of the American people.
Under the cover of night and without a permit, he installed his massive “Charging Bull” directly before the New York Stock Exchange, a gift New Yorkers loved but New York City initially hated. Authorities removed it, but later reinstalled it under pressure at a small public park in the financial district.
In the 18 years since, it has become an institution.
Then last month, on International Women’s Day, a new statue of a symbolically brave “Fearless Girl” stole its spotlight — and, Di Modica says, fundamentally corrupted the artistic integrity of his “Charging Bull.”
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